Search
Search titles only
By:
Search titles only
By:
Home
Forums
New posts
Search forums
What's new
New posts
Latest activity
Members
Current visitors
Κανονισμός Λειτουργίας
Σωματείο AVClub
Log in
Register
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Μουσική - Κινηματογράφος - Τηλεόραση - Πολιτισμός
Μουσική
Ενημέρωση (συναυλίες, ειδήσεις) - Νέες παραγωγές
Metropolitan Opera, Φιλαρμονική του Βερολινου και Διάσημες Ορχήστρες On-Line
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="Sonus Naturalis" data-source="post: 1056600389" data-attributes="member: 17874"><p><strong><span style="font-size: 12px"><a href="http://en.wikipedia.org/wiki/Gioachino_Rossini" target="_blank">Gioachino Rossini</a></span></strong></p><p><strong><em><span style="font-size: 15px"><span style="color: #FF0000">Ο κουρέας της Σεβίλλης (Il Barbiere Di Siviglia)</span></span></em></strong></p><p></p><p><strong><u>Από το Θέατρο της Σκάλα του Μιλάνου.</u></strong></p><p><span style="font-size: 12px">Παράσταση του 1999</span></p><p></p><p><strong>Παίζουν</strong></p><p>Almaviva : Juan Diego Florez</p><p>Rosina : Sonia Ganassi</p><p>Bartolo : Alfonso Antoniozzi</p><p>Figaro : Roberto Frontali</p><p>Basilio : Giorgio Surjan</p><p>Berta : Tiziana Tramonti</p><p></p><p>Διευθύνει: Ο Riccardo Chailly<hr /><p>Οι περιπέτειες και οι κατεργαριές του Φίγκαρο στην πασίγνωστη όπερα του Ροσσίνι. Μπορούμε τώρα να δούμε <strong><em>ολόκληρη</em></strong> την παράσταση on-line από το Youtube. Τα σκηνικά ίσως δεν είναι τόσο εντυπωσιακά όσο εκείνα που πρόσφατα είδα από την αντίστοιχη παράσταση της Metropolitan Opera, όμως εξίσου ευρηματικά. Η εικόνα είναι απλά καλή (360 p, δεν είναι Hi-Definition), το πιο ενδιαφέρον χαρακτηριστικό όμως είναι ο ήχος. Η διάσημη εξαιρετική ακουστική και η αμεσότητα του θεάτρου της Σκάλα του Μιλάνου είναι εμφανής ακόμα και σε συστήματα της χαμηλομεσαίας κατηγορίας και αξίζει την προσοχή μας!</p><p></p><p><span style="font-size: 9px"><strong>Η Ιστορία Περιληπτικά</strong></span></p><p></p><p>ACT I. Seville, 1800s. At night, Count Almaviva brings a band of musicians to serenade Rosina, ward of Dr. Bartolo, who keeps the girl confined in his house. When Rosina fails to answer his song, the count pays the players, and they leave. At the sound of Figaro's voice, Almaviva steps away as the barber bounds in, boasting of his busy life as the neighborhood factotum. Figaro, though currently in Bartolo's employ, encounters Almaviva and promises to help him win Rosina - for a suitable reward. No sooner has Bartolo left the house to arrange his own marriage with Rosina than Almaviva launches into a second serenade, calling himself "Lindoro," a poor creature who can offer only love. Figaro suggests Almaviva disguise himself as a drunken soldier billeted to Bartolo's house.</p><p></p><p>Alone in the house, Rosina muses on the voice that has touched her heart and resolves to outwit Bartolo. Figaro joins her, but they leave on hearing footsteps. Bartolo enters with the music master, Don Basilio, who tells him Almaviva is a rival for Rosina's hand and advises slandering the nobleman's reputation. Bartolo agrees, but Figaro overhears them. Warning Rosina that Bartolo plans to marry her himself the very next day, the barber promises to deliver a note she has written to "Lindoro." Rosina, alone with Bartolo, undergoes an interrogation, then listens to his boast that he is far too clever to be tricked. Berta, the housekeeper, answers violent knocking at the door, returning with Almaviva disguised as a drunken soldier in search of lodging. While arguing with Bartolo, Almaviva manages to slip a love letter to Rosina. But when Bartolo demands to see the letter, the girl substitutes a laundry list. Figaro dashes in to warn that their hubbub has attracted a crowd. Police arrive to silence the disturbance. As an officer is about to arrest him, Almaviva whispers his identity and is released. Rosina, Berta, Bartolo and Basilio are stupefied by everything that is happening.</p><p></p><p>ACT II. Bartolo receives a young music teacher, "Don Alonso" (again Almaviva in disguise), who claims to be a substitute for the ailing Basilio. Rosina enters, recognizes her suitor and begins her singing lesson as Bartolo dozes in his chair. Figaro arrives to shave the doctor and manages to steal the key to the balcony window. Basilio now comes in, looking the picture of health; bribed by Almaviva, he feigns illness and departs. Figaro shaves Bartolo while Almaviva and Rosina plan their elopement that night. They are overheard by the doctor, who drives Figaro and Almaviva from the house and Rosina to her room, then sends again for Basilio. Berta, unnerved by all the confusion, complains she is going mad. Bartolo dispatches Basilio for a notary, then tricks Rosina into believing "Lindoro" is really a flunky of Almaviva. After a thunderstorm, Almaviva arrives with Figaro and climbs through a balcony window to abduct Rosina. At first the girl rebuffs "Lindoro," but when he explains that he and Almaviva are one and the same, she falls into his arms. Figaro urges haste, but before they can leave, their ladder is taken away. Basilio enters with the notary. Though summoned to wed Rosina and Bartolo, the official marries her instead to Almaviva, who bribes Basilio. Rushing in too late, Bartolo finds the lovers already wed. When Almaviva allows him to keep Rosina's dowry, the old man accepts the situation.</p><p></p><p><span style="font-size: 9px"><strong>Πηγή:</strong></span> <a href="http://www.metoperafamily.org/metopera/history/stories/synopsis.aspx?id=6" target="_blank">http://www.metoperafamily.org/metopera/history/stories/synopsis.aspx?id=6</a><hr /><p>Ας απολαύσουμε λοιπόν την Όπερα</p><p></p><p>Σβήστε τα φώτα παρακαλώ... :smile:</p><p></p><p>[MEDIA=youtube]enEVv02f6bo[/MEDIA]</p><hr /><hr /><p><u>Υ.Γ. Υπενθύμιση:</u> <em>Ως γνωστόν υπάρχει το δωρεάν πρόγραμμα Youtube downloader, με το οποίο μπορεί κανείς, αν θέλει, να κατεβάσει τα βίντεο που παρακολουθεί από το Youtube</em>...</p></blockquote><p></p>
[QUOTE="Sonus Naturalis, post: 1056600389, member: 17874"] [B][SIZE=3][URL="http://en.wikipedia.org/wiki/Gioachino_Rossini"]Gioachino Rossini[/URL][/SIZE][/B] [B][I][SIZE=4][COLOR="#FF0000"]Ο κουρέας της Σεβίλλης (Il Barbiere Di Siviglia)[/COLOR][/SIZE][/I][/B] [B][U]Από το Θέατρο της Σκάλα του Μιλάνου.[/U][/B] [SIZE=3]Παράσταση του 1999[/SIZE] [B]Παίζουν[/B] Almaviva : Juan Diego Florez Rosina : Sonia Ganassi Bartolo : Alfonso Antoniozzi Figaro : Roberto Frontali Basilio : Giorgio Surjan Berta : Tiziana Tramonti Διευθύνει: Ο Riccardo Chailly[HR][/HR] Οι περιπέτειες και οι κατεργαριές του Φίγκαρο στην πασίγνωστη όπερα του Ροσσίνι. Μπορούμε τώρα να δούμε [B][I]ολόκληρη[/I][/B] την παράσταση on-line από το Youtube. Τα σκηνικά ίσως δεν είναι τόσο εντυπωσιακά όσο εκείνα που πρόσφατα είδα από την αντίστοιχη παράσταση της Metropolitan Opera, όμως εξίσου ευρηματικά. Η εικόνα είναι απλά καλή (360 p, δεν είναι Hi-Definition), το πιο ενδιαφέρον χαρακτηριστικό όμως είναι ο ήχος. Η διάσημη εξαιρετική ακουστική και η αμεσότητα του θεάτρου της Σκάλα του Μιλάνου είναι εμφανής ακόμα και σε συστήματα της χαμηλομεσαίας κατηγορίας και αξίζει την προσοχή μας! [SIZE=1][B]Η Ιστορία Περιληπτικά[/B][/SIZE] ACT I. Seville, 1800s. At night, Count Almaviva brings a band of musicians to serenade Rosina, ward of Dr. Bartolo, who keeps the girl confined in his house. When Rosina fails to answer his song, the count pays the players, and they leave. At the sound of Figaro's voice, Almaviva steps away as the barber bounds in, boasting of his busy life as the neighborhood factotum. Figaro, though currently in Bartolo's employ, encounters Almaviva and promises to help him win Rosina - for a suitable reward. No sooner has Bartolo left the house to arrange his own marriage with Rosina than Almaviva launches into a second serenade, calling himself "Lindoro," a poor creature who can offer only love. Figaro suggests Almaviva disguise himself as a drunken soldier billeted to Bartolo's house. Alone in the house, Rosina muses on the voice that has touched her heart and resolves to outwit Bartolo. Figaro joins her, but they leave on hearing footsteps. Bartolo enters with the music master, Don Basilio, who tells him Almaviva is a rival for Rosina's hand and advises slandering the nobleman's reputation. Bartolo agrees, but Figaro overhears them. Warning Rosina that Bartolo plans to marry her himself the very next day, the barber promises to deliver a note she has written to "Lindoro." Rosina, alone with Bartolo, undergoes an interrogation, then listens to his boast that he is far too clever to be tricked. Berta, the housekeeper, answers violent knocking at the door, returning with Almaviva disguised as a drunken soldier in search of lodging. While arguing with Bartolo, Almaviva manages to slip a love letter to Rosina. But when Bartolo demands to see the letter, the girl substitutes a laundry list. Figaro dashes in to warn that their hubbub has attracted a crowd. Police arrive to silence the disturbance. As an officer is about to arrest him, Almaviva whispers his identity and is released. Rosina, Berta, Bartolo and Basilio are stupefied by everything that is happening. ACT II. Bartolo receives a young music teacher, "Don Alonso" (again Almaviva in disguise), who claims to be a substitute for the ailing Basilio. Rosina enters, recognizes her suitor and begins her singing lesson as Bartolo dozes in his chair. Figaro arrives to shave the doctor and manages to steal the key to the balcony window. Basilio now comes in, looking the picture of health; bribed by Almaviva, he feigns illness and departs. Figaro shaves Bartolo while Almaviva and Rosina plan their elopement that night. They are overheard by the doctor, who drives Figaro and Almaviva from the house and Rosina to her room, then sends again for Basilio. Berta, unnerved by all the confusion, complains she is going mad. Bartolo dispatches Basilio for a notary, then tricks Rosina into believing "Lindoro" is really a flunky of Almaviva. After a thunderstorm, Almaviva arrives with Figaro and climbs through a balcony window to abduct Rosina. At first the girl rebuffs "Lindoro," but when he explains that he and Almaviva are one and the same, she falls into his arms. Figaro urges haste, but before they can leave, their ladder is taken away. Basilio enters with the notary. Though summoned to wed Rosina and Bartolo, the official marries her instead to Almaviva, who bribes Basilio. Rushing in too late, Bartolo finds the lovers already wed. When Almaviva allows him to keep Rosina's dowry, the old man accepts the situation. [SIZE=1][B]Πηγή:[/B][/SIZE] [url]http://www.metoperafamily.org/metopera/history/stories/synopsis.aspx?id=6[/url] [HR][/HR] Ας απολαύσουμε λοιπόν την Όπερα Σβήστε τα φώτα παρακαλώ... :smile: [MEDIA=youtube]enEVv02f6bo[/MEDIA] [HR][/HR][HR][/HR] [U]Υ.Γ. Υπενθύμιση:[/U] [I]Ως γνωστόν υπάρχει το δωρεάν πρόγραμμα Youtube downloader, με το οποίο μπορεί κανείς, αν θέλει, να κατεβάσει τα βίντεο που παρακολουθεί από το Youtube[/I]... [/QUOTE]
Verification
Post reply
Home
Forums
Μουσική - Κινηματογράφος - Τηλεόραση - Πολιτισμός
Μουσική
Ενημέρωση (συναυλίες, ειδήσεις) - Νέες παραγωγές
Metropolitan Opera, Φιλαρμονική του Βερολινου και Διάσημες Ορχήστρες On-Line
Top
Bottom
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more…