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<blockquote data-quote="Busoni" data-source="post: 207157" data-attributes="member: 757"><p>Σίγουρα έπαιζε τα έργα πολλές φορές και το τελικό αποτέλεσμα ήταν ράψιμο απο προηγούμενα κομμάτια. Στο άρθρο του "The Prospects of Recording", ο Gould γράφει: </p><p></p><p>A year or so ago, while recording the concluding fugues from Volume I of the Well-Tempered Clavier, I arrived at one of Bach's celebrated contrapuntal obstacle courses, the Fugue in A minor. This is a structure even more difficult to realize on the piano than are most of Bach's fugues, because it consists of four intense voices that determinedly occupy a register in the center octaves of the keyboard -- the area of the instrument in which truly independent voice-leading is most difficult to establish.<em> In the process of recording this fugue we attempted eight takes. Two of these at the time were regarded, according to the producer's notes, as satisfactory. Both of them, No. 6 and No. 8 respectively, were complete takes requiring no inserted splice -- by no means a special achievement since the fugue's duration is only a bit over two minutes. Some weeks later, however, when the results of this session were surveyed in an editing cubicle and when Takes 6 and 8 were played several times in rapid alternation, it became apparent that both had a defect of which we had been quite unaware in the studio: both were monotonous. [...] and it was decided to turn this to advantage by creating one performance to consist alternately of Takes 6 and 8.</em> </p><p></p><p>Oλόκληρο το άρθρο είναι διαθέσιμο στο </p><p><a href="http://www.collectionscanada.ca/glenngould/028010-502.1-e.html" target="_blank">http://www.collectionscanada.ca/glenngould/028010-502.1-e.html</a></p></blockquote><p></p>
[QUOTE="Busoni, post: 207157, member: 757"] Σίγουρα έπαιζε τα έργα πολλές φορές και το τελικό αποτέλεσμα ήταν ράψιμο απο προηγούμενα κομμάτια. Στο άρθρο του "The Prospects of Recording", ο Gould γράφει: A year or so ago, while recording the concluding fugues from Volume I of the Well-Tempered Clavier, I arrived at one of Bach's celebrated contrapuntal obstacle courses, the Fugue in A minor. This is a structure even more difficult to realize on the piano than are most of Bach's fugues, because it consists of four intense voices that determinedly occupy a register in the center octaves of the keyboard -- the area of the instrument in which truly independent voice-leading is most difficult to establish.[I] In the process of recording this fugue we attempted eight takes. Two of these at the time were regarded, according to the producer's notes, as satisfactory. Both of them, No. 6 and No. 8 respectively, were complete takes requiring no inserted splice -- by no means a special achievement since the fugue's duration is only a bit over two minutes. Some weeks later, however, when the results of this session were surveyed in an editing cubicle and when Takes 6 and 8 were played several times in rapid alternation, it became apparent that both had a defect of which we had been quite unaware in the studio: both were monotonous. [...] and it was decided to turn this to advantage by creating one performance to consist alternately of Takes 6 and 8.[/I] Oλόκληρο το άρθρο είναι διαθέσιμο στο [url]http://www.collectionscanada.ca/glenngould/028010-502.1-e.html[/url] [/QUOTE]
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